Jazz at Progress | Small Blue | Tickets on sale soon
Friday 27 March 2026 | Progress Theatre, Reading | 7: 30pm | £20.00 (£18.00 concessions, £10 under 16) plus maximum 5% booking fee.
Martin Pyne drums / composition
David Beebee piano
Marianne Windham – double bass
Percussionist, composer and improviser Martin Pyne, when not working with contemporary dance or as a silent film accompanist, performs solo sets, leads bands, and collaborates with a range of musicians and other artists.
Formed in 2023, the jazz trio Small Blue is a result of just such a collaboration, with David Beebee on piano, and Marianne Windham on double bass.
Small Blue is a piano trio in the classic modern jazz tradition, featuring material including straight ahead swinging tunes and beautiful ballads , as well as African inspired grooves – but always with a twist.
Martin says that most of the tunes he composes have a back story, often being inspired by novels or poems he’s read, movies or art he’s seen, or places he’s visited.
The result is music that is intimate but ranges far and wide in tempo and mood – by turns lyrical, atmospheric, groovy, and mischievous – and takes in heartfelt ballads, mysterious grooves, evocative atmospheres and melodic swing along the way.
The trio’s second album, Furrow, has – like their debut album, The Stealthy Moon – been received with enthusiastic critical acclaim…
“Superb contemporary jazz” – Jazz Views
“Small Blue might be led by a drummer but this is one of the best ‘piano trio’ albums that I’ve heard in a long time” – JAZZMAN
“… high grade Bill Evans Trio territory … each track has its own picture, each track turns its own curve, put all together and Small Blue have themselves a minor masterpiece.” – Steve Day
“Pyne has written twelve exceptional compositions for the new group that immediately gives the trio an identity and repertoire that marks them out as rather something special … a composer of rare talent” – Jazz Views
“In terms of percussion improvisation, try to imagine something that runs from the Zen sound-painting of Frank Perry to the light swing of Billy Higgins. There’s nothing loud, nothing showy, nothing esoteric. Just a delight in the deft touch of a stick, a mallet, a finger or a wire brush on metal, skin or wood, and in the process of transforming sound into a sense of movement.” – Richard Williams, The Blue Moment
Sample the music here: https://tinyurl.com/ua6p5ndm
